Team

Project Members

Anna Alberni

Anna Alberni

PhD in Catalan Philology from the Universitat de Barcelona (2003) and ICREA Professor at the same university since 2009. Her research focuses on the editing and study of Catalan poetry from the 14th to the 15th centuries, with special attention to linguistic and textual aspects. She was a researcher at the universities of Roma-La Sapienza and L'Aquila (2003-2005) and ICREA Junior Researcher at the University of Girona (2005-2009). She is a member of the Centre de Documentació Ramon Llull and the IRCVM (UB). She has directed two Spanish research projects on the reception of French poetry in the Crown of Aragon (FFI 2009-10065, FFI 2014-54844-P) and a European project on the legacy of troubadours in Catalan poetry (The Last Song of the Troubadours. Linguistic Codification and Construction of a Literary Canon in the Crown of Aragon, ERC StG, GA n. 241070). She coordinates the activities of the MiMus project, overseeing the Corpus TOC – Occitan-Catalan Treatises related to Las Leys d’Amors. She is responsible for the editorial revision of Catalan lyrical works.

Stefano Maria Cingolani

Stefano Maria Cingolani

PhD in Romance Philology from the Università di Roma-La Sapienza. Formerly a professor at the Università di Roma II-Tor Vergata, the Universiat de Barcelona, Universitat Pompeu Fabra, and Universitat Rovira i Virgili, more recently he has worked as an independent researcher. In recent years, his research has focused on historiography and history of the medieval Crown of Aragon, the editing of chronicle texts, and biographies of kings. He has also studied issues of identity, diplomacy, regionalism, music, and entertainment at the courts of the kings of the House of Barcelona. He has published several collections of documents and letters. Within the MiMus project, he is responsible for exploring archives, transcribing documents, and studying the evolution of musical entertainment at the Catalan-Aragonese court, with a particular focus on the Royal Chapels.

Anna Fernàndez-Clot

Anna Fernàndez-Clot

Bachelor’s degree in Catalan Philology (2010) and PhD in Advanced Studies in Catalan Language and Literature from the Universitat de Barcelona (2017). She is a member of the Centre de Documentació Ramon Llull and the IRCVM (UB). Her research experience includes participation in various digital projects such as the Base de Dades Ramon Llull, Diccionari de Textos Catalans Antics, Nou Glossari General Lul·lià, and the website Manícula: taller d’edició i anotació de textos. Her research interests lie in the editing of medieval Catalan texts, with a particular focus on the verse works of Ramon Llull. Within the MiMus project, she studies the image of minstrels in literature and coordinates the development of the MiMus DB.

Simone Sari

Simone Sari

Bachelor’s degree in Romance Philology from the Università di Trieste (2004) and Ph.D. from the European School in Romance Philology at the Università di Siena (in consortium with the universities of Milan, Pavia, Paris-Sorbonne IV, Santiago de Compostela, and Zurich), with a thesis on Lullian Mariology and the critical edition of Desconhort de nostra Dona and Hores de nostra Dona (texts published in NEORL XI, 2012). He taught Catalan literature at the Università di Bologna (2009-2010). He obtained a grant from the European MSCA-IF program at the Universitat de Barcelona (2017-2019), with a project on the Cent noms de Déu by Ramon Llull, and was a visiting professor at the Catholic University of Leuven (KU Leuven). He is a member of the Centre de Documentació Ramon Llull and serves on the board of the Associazione Italiana di Studi Catalani. He has primarily focused on the verse works of Ramon Llull and his relationships with Occitania and Islam. He has also translated works by Llull and Vita Christi by Isabel de Villena into Italian. As part of the MiMus project, he studies the presence of Jewish and Muslim minstrels at the Catalan-Aragonese court.

Carles Vela Aulesa

Carles Vela Aulesa

Bachelor’s degree in Geography and History (Medieval History Section) from the Universitat de Barcelona (1995), Master’s degree in Euro-Arab Studies from the Universitat de Girona (1996), and Ph.D. in Geography and History (Medieval History) from the UB (2005). He received training at the Milà i Fontanals Institution (CSIC, Barcelona). Professionally, he has been associated with various institutions, but has primarily worked as a freelance researcher. He has participated in numerous projects and research groups and currently co-directs, alongside Dr. Antoni Riera, the project Corpus documental de les relacions internacionals de la Corona d’Aragó at the Institut d’Estudis Catalans (IEC). His research has focused on various topics: social, familial, and professional relationships in urban environments, wills, municipal law, hospital assistance, international diplomatic relations, retail trade, and consumer credit. As part of the MiMus project, he coordinates the editing of the documentary corpus of the MiMus DB; his research focuses on the economic and contractual aspects of court musicians and artists.

Researchers associated with the project

Alexandra Beauchamp

Université de Limoges

Alexandra Beauchamp és doctora en història medieval (Universitat de Bordeus III -Michel de Montaigne, 2005), ha estat membre de la Casa de Velázquez (EHEHI, Madrid, 2003-2005), i és professora titular d’història medieval a la Universitat de Llemotges des de 2006. La seva recerca se centra en la història política i institucional de la Corona d'Aragó al final de l'edat mitjana (segles XIII-XV). Estudia les pràctiques polítiques, administratives i comptables del govern i la cort dels reis, reines i infants d'Aragó, les seves relacions amb els estats generals i els individus, i el paper de les dones en aquestes institucions i ambients. En el marc del projecte MiMus, s'ocupa de la dimensió institucional de l'entreteniment a la cort dels reis del Casal d'Aragó.

Maria Sofia Lannutti

Università degli Studi di Firenze

Maria Sofia Lannutti és professora de lingüística romànica a la Universitat de Florència. Ha estudiat sobretot la relació entre text i música en les literatures romàniques medievals i la seva tradició manuscrita, la mètrica des d'una perspectiva comparativa, la lírica francesa, italiana i catalana medievals, la literatura hagiogràfica occitana, el De vulgari eloquentia de Dante, la Commedia, i el Canzoniere de Petrarca. Dirigeix la Secció de Música "Clemente Terni i Matilde Fiorini Aragone" de la Fundació Ezio Franceschini de Florència, i ha ideat i dirigeix el projecte internacional "Medioevo musicale" (MEM), una base de dades bibliogràfica i discogràfica interdisciplinària sobre cultura musical medieval, constantment actualitzada i disponible en línia al portal MIRABILE. Coordina les activitats de recerca del projecte ERC ArsNova, on s'ocupa també de l'edició i la interpretació dels textos poètics en relació amb la producció lírica contemporània.

Yolanda Plumley

University of Exeter

Yolanda Plumley és professora d'història de la música a la Universitat d'Exeter (emèrita). Ha publicat àmpliament sobre música medieval i poesia lírica francesa, especialment sobre les obres de Guillaume de Machaut i els seus contemporanis, així com sobre manuscrits musicals i música i cultura cortesa, sobretot a la França dels Valois. És autora de The Art of Grafted Song: Citation and Allusion in the Age of Machaut (Oxford University Press, 2013), coautora amb Anne Stone de Codex Chantilly, Bibliothèque du Château de Chantilly, MS 564 (Brepols, 2008), i coeditora de diversos volums d'estudis interdisciplinaris. Amb R. Barton Palmer, és editora general de la nova edició de la poesia i música completes de Guillaume de Machaut (The Medieval Institute, 2016-). En el marc del projecte MiMus s'ocupa de les relacions musicals i diplomàtiques entre França i la Corona d'Aragó.